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Curator’s notes

March 23, 2017

We, the directors of the Northeast Small College Art Museum Association (NESCAMA), are deeply concerned about potential budget cuts that threaten funding so vital to us and to the good work that arts organizations do throughout the nation. We must continue to hold the line and to promote the arts energetically through the support of the National Endowment for the Humanities, the National Endowment for the Arts, and the Institute of Museum and Library Services.

With small operational budgets, college and university art museums are particularly reliant on funding from the NEH, NEA, and IMLS. This funding preserves artistic, ethnographic, scientific, and historic collections, and creates access to cultural heritage unique to our respective diverse communities. This funding not only supports essential infrastructure, it enables us to pursue transformative programs that provide employment for emerging and young professionals. This funding ensures that our collections are interpreted, understood, and valued.

College and university art museums are uniquely — and importantly  — positioned to make connections beyond the fine arts, to include disciplines from science to business, and to foster engagement beyond campus and into our communities. Our work inspires scholarship and engenders innovation. Our museums provide opportunities for young scholars to explore ideas and worlds that are challenging, encouraging critical thinking that will be of use in any professional path they choose to follow after graduation.

During this era of increasing polarization, museums, through their collections and exhibitions, demonstrate that there are multiple points of view and that these points of view can coexist.

While the debate about federal funding for the arts is nothing new,  we encourage members of Congress to recognize that the resilience of the NEH, NEA, and IMLS, despite opposition over the years, is a testament to their enduring value.

Signed,

Dan Mills, Director
Bates Museum of Art, Bates College

Anne Collins Goodyear & Frank H. Goodyear, Co-Directors
Bowdoin College Museum of Art, Bowdoin College

Sharon Corwin, Carolyn Muzzy Director and Chief Curator
Colby College Museum of Art, Colby College

Jo-Ann Conklin, Director
David Winton Bell Gallery, Brown University

Lisa Fischman, Ruth Gordon Shapiro ’37 Director
Davis Museum at Wellesley College

Clare I. Rogan, Curator
Davison Art Center, Wesleyan University

James Mundy, The Anne Hendricks Bass Director
The Frances Lehman Loeb Art Center, Vassar College

Ian Berry, Dayton Director
The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College

Anja Chávez, Director of University Museums
Longyear Museum of Anthropology/Picker Art Gallery, Colgate University

David E. Little, Director & Chief Curator
Mead Art Museum at Amherst College

Richard Saunders, Director
Middlebury College Museum of Art, Middlebury College

Tricia Y. Paik, Florence Finch Abbott Director
Mount Holyoke College Art Museum, Mount Holyoke College

Kristina L. Durocher, Director
Museum of Art, University of New Hampshire

Janie Cohen, President, Board of Directors
New England Museum Association

Kristin Parker, Interim Director
The Rose Art Museum, Brandeis University

Tracy L. Adler, Johnson-Pote Director
Ruth and Elmer Wellin Museum of Art at Hamilton College

Jessica Nicoll, Director and Louise Ines Doyle ’34 Chief Curator
Smith College Museum of Art, Smith College

Christina Olsen, Class of 1956 Director
Williams College Museum of Art, Williams College

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PH-121009999.jpg&Maxw=583-1

Gallery assistant, Amato Zinno, dips his roller to finish painting the gallery wall near Damien Hirst’s “Away from the Flock,” a piece from Hirst’s Natural History series that features a lamb in formaldehyde solution.

Kris Craig, The Providence Journal, January 21, 2016

The preparators at the David Winton Bell Gallery at Brown University were busy Thursday afternoon installing the gallery’s upcoming show, “Dead Animals, or the Curious Occurrence of Taxidermy in Contemporary Art”. Jo-ann Conklin, the director of the Bell Gallery, has taken about 3 years putting together the exhibit that concentrates on the use of taxidermy in the work of various contemporary artists. The show opens to the public on Saturday, January 23 and on Feb 5th features a lecture by English artist, Polly Morgan, followed by a reception.

View the full slideshow here: http://www.providencejournal.com/photogallery/PJ/20160121/PHOTOGALLERY/121009999/PH/1

David Winton Bell Gallery-Hank Willis Thomas-4452

Exhibition Curator Alexis Lowry Murray with artist Hank Willis Thomas at the opening of Primary Sources at the David Winton Bell Gallery, List Art Center, Brown University. September 11, 2015. Photograph by Jesse Banks III.

We were delighted to have outgoing Bell Gallery curator Alexis Lowry Murray join us for the opening of Hank Willis Thomas’s exhibition Primary Sources which she curated before she moved to her new post at Dia Art Foundation. Thank you Alexis for your wonderful work with us and for bringing Hank’s work to the University community.

View all the photos of the opening reception here.

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